“However, in our time people concern themselves rather little about making pure movements. In case one who was about to learn to dance were to say, ‘For centuries now one generation after another has been learning positions, it is high time I drew some advantage out of this and began straightway with the French dances’–then people will laugh at him; but in the world of spirit they find this exceedingly plausible. What is education? I should suppose that education was the curriculum one had to run through in order to catch up with oneself, and he who will not pass through this curriculum is helped very little by the fact that he was born in the most enlightened age.” ——————————————————– ~Source: Fear And Trembling: A Dialectical Lyric (1843) Author: Søren Kierkegaard using the pseudonym Johannes De Silentio

“When a man enters upon the way, in a certain sense the hard way of the tragic hero, many will be able to give him counsel; to him who follows the narrow the way of faith no one can give him counsel, him no one can understand. Faith is a miracle, and yet no man is excluded from it; for that in which all human life is unified is passion, and faith is a passion.”
——————————————————–

~Source: Fear And Trembling: A Dialectical Lyric (1843)
Author: Søren Kierkegaard using the pseudonym Johannes De Silentio

“When a man enters upon the way, in a certain sense the hard way of the tragic hero, many will be able to give him counsel; to him who follows the narrow the way of faith no one can give him counsel, him no one can understand. Faith is a miracle, and yet no man is excluded from it; for that in which all human life is unified is passion, and faith is a passion.”
——————————————————–

~Source: Fear And Trembling: A Dialectical Lyric (1843)
Author: Søren Kierkegaard using the pseudonym Johannes De Silentio

“In the infinite resignation there is peace and rest; every man who will, who has not abased himself by scorning himself (which is still more dreadful than being proud) can train himself to make these movements.  Johannes De Silentio is that shirt we read about in the old fable. The thread is spun under tears, the cloth bleached with tears, the shirt sewn with tears; but then too it is a better protection than iron and steel. The imperfection in the fable is that a third party can manufacture this shirt. The secret in life is that everyone must sew it for himself, and the astonishing thing is that a man can sew it fully as well as a woman.”
————————————————-

~Source: Fear And Trembling: A Dialectical Lyric (1843)
Author: Soren Kierkegaard using the pseudonym Johannes De Silentio

“In the infinite resignation there is peace and rest; every man who will, who has not abased himself by scorning himself (which is still more dreadful than being proud) can train himself to make these movements. The infinite resignation is that shirt we read about in the old fable. The thread is spun under tears, the cloth bleached with tears, the shirt sewn with tears; but then too it is a better protection than iron and steel. The imperfection in the fable is that a third party can manufacture this shirt. The secret in life is that everyone must sew it for himself, and the astonishing thing is that a man can sew it fully as well as a woman.”
————————————————-

~Source: Fear And Trembling: A Dialectical Lyric (1843)
Author: Soren Kierkegaard using the pseudonym Johannes De Silentio

“Fools and young men prate about everything being possible for a man. That, however, is a great error. Spiritually speaking, everything is possible, but in the world of the finite there is much which is not possible. This impossible, however, the knight makes possible by expressing it spiritually, but he expresses it spiritually by waiving his claim to it. The wish which would carry him into reality, but was wrecked upon the impossibility, is now bent inward, but it is not therefore lost, neither is it forgotten.”
——————————————————–

~Source: Fear And Trembling: A Dialectical Lyric ( 1843 )
Author: Søren Kierkegaard using the pseudonym Johannes De Silentio

“However, in our time people concern themselves rather little about making pure movements. In case one who was about to learn to dance were to say, ‘For centuries now one generation after another has been learning positions, it is high time I drew some advantage out of this and began straightway with the French dances’–then people will laugh at him; but in the world of spirit they find this exceedingly plausible. What is education? I should suppose that education was the curriculum one had to run through in order to catch up with oneself, and he who will not pass through this curriculum is helped very little by the fact that he was born in the most enlightened age.”
——————————————————–

~Source: Fear And Trembling: A Dialectical Lyric (1843)
Author: Søren Kierkegaard using the pseudonym Johannes De Silentio

“The difference between the tragic hero and Abraham is clearly evident. The tragic hero still remains within the ethical. He lets one expression of the ethical find its telos in a higher expression of the ethical; the ethical relation between father and son, or daughter and father, he reduces to a sentiment which has its dialectic in the idea of morality. Here there can be no question of the teleological suspension of the ethical.”
——————————————————–

~Source: Fear And Trembling: A Dialectical Lyric (1843)
Author: Søren Kierkegaard using the pseudonym Johannes De Silentio

“Would it not be better to stop with faith, and is it not revolting that everybody wants to go further?… Would it not be better that they should stand still at faith, and that he who stands should take heed lest he fall? For movements of faith must constantly be made by virtue of the absurd, yet in such a way, be it observed, that one does not lose the finite but gains it every inch. For my part I can well describe the movements of faith, but I cannot make them.”
——————————————————–

~Source: Fear And Trembling: A Dialectical Lyric (1843)
Author: Søren Kierkegaard using the pseudonym Johannes de Silentio